日本 カナックス kannax（株式会社カナックス）是 1987 年由菅野健在东京创立的婚礼花束保存加工专业品牌，旗下”アフターブーケ”（After Bouquet，注册商标第 3230404 号）服务把婚礼或求婚仪式上使用过的鲜花花束加工成可永久保存的押し花（PRESS 压花）与フレッシュドライフラワー（DRY 鲜干花）艺术品，并已发展为拥有 150 名职人、100 余名设计师的婚礼花艺保存专门机构。品牌在东京站和田倉門本店的选址紧邻江户幕府历史遗迹”和田倉門”，象征”以花连接历史记忆”的服务理念，并在东京站、涩谷、博多三地设有直营展厅，全国 1100 余家知名酒店、婚礼会场与 Guest House 长期合作其 After Bouquet 承接服务。
品牌缘起：1987 年创立与”After Bouquet”文化
株式会社カナックス由菅野健于 1987 年在东京创立，是日本最早把”婚礼花束永久保存”作为独立服务行业加以确立的花艺机构。创始人菅野健把”将婚礼花束加工后永久保存”的服务命名为”アフターブーケ”（After Bouquet），并使其成为日本婚礼文化的标准配套；如今每一束送到カナックス手中的花束都会被赋予”作为一生的宝物”的意义，而不只是一束应季鲜花。在 1987 年至 2026 年近四十年的发展过程中，カナックス始终聚焦于”将原本会枯萎的鲜花转化为可长期保存的艺术品”这一核心业务，专利号为第 3230404 号，”AFTER BOUQUET” 与”アフターブーケ”均为其注册商标。
两种加工工艺：PRESS 压花与 DRY 鲜干花
After Bouquet 服务提供两种互补的加工工艺供客户选择。PRESS 压花工艺通过对鲜花施加均匀压力使水分缓慢蒸发，从而保持花瓣的形状与色彩，再由职人依据花材特性手工布局、装裱入框，画作感强、可完整呈现花束的散落感与留白美感，整体交付周期约 10 至 12 个月。DRY 鲜干花工艺则将花材埋入硅胶干燥剂颗粒中，借助特殊干燥技术使花色素与立体形态得以保留，色泽较普通干花更鲜艳饱满，并通过玻璃或铝材等阻隔性框架立体装裱，整体交付周期约 6 至 8 个月。所有产品均提供免费的レイアウトリクエスト（布局选择）服务，可选择”花束散落”、”会场景致平铺”或”新娘捧花加新郎胸花组合”等三种基础布局，并支持刻字服务（第一行可选预设语句／原创英字 40 字符以内／空白，第二行为姓名／空白，第三行为日期／空白），刻字在 Grand Cubic、Olga Uluru、Matte、Acrylic 四大产品系列上分别采用雕刻、白色烫印、银色烫印、雕刻等不同工艺。
直营展厅、配送流程与购物体验
东京站”和田倉門”、涩谷、博多三处直营展厅平日 10:00 至 18:00、周末与法定假日 11:00 至 19:00 接受线下咨询与现场交件，展厅常驻コンシェルジュ（管家）可根据客户花束的风格与期望推荐最合适的工艺与装裱方案。线上下单的客户须自行以元払い（运费预付）方式将鲜花寄送至株式会社カナックス位于东京港区的”お花受付係”鲜花受理中心，下单超过 5 个工作日的客户可获免费提供的フラワーボックス（专用鲜花盒，尺寸 H290×W615×D295 mm）确保运输途中花材不受损；公司接受 VISA、MasterCard、JCB、AMEX 信用卡与银行转账，订单完成后通过 PDF 电子发票凭据下载，所有成品由公司以宅配便方式免运费寄回客户手中。需要注意的是 After Bouquet 属全定制商品，订单完成后到生花送达前的取消按 10%、生花送达后取消按 100% 收费，量产延迟也属正常情况。
设计师指名、150 名职人与可持续发展理念
カナックス在 100 名以上专属设计师团队中提供”设计师指名”服务，客户可按个人审美偏好选择具有不同作风的艺术指导，让每一件作品都像挑选画作笔触般被个性化定义；幕后则有 150 名职人团队执行压花与干花制作，使产能与艺术性得以同时保障。品牌愿景强调以花连接记忆——东京站本店选址于元和六年（1620 年）修筑的”和田倉門”遗迹旁，象征”以花串联个人与时代的历史”，与品牌”将一瞬绽放转化为永恒见证”的核心价值形成呼应。在可持续发展层面，カナックス把”本应枯萎的鲜花重新赋予生命”视为最重要的环保实践，并持续推进生态友好型企业运营，努力为下一代留下更美的自然与花艺传统。
Kannax Inc. (株式会社カナックス) is a Tokyo-based wedding bouquet preservation specialist founded in 1987 by Ken Kanno (菅野健), and its registered service brand “After Bouquet” (アフターブーケ, Japanese trademark registration no. 3230404) transforms wedding and proposal bouquets into permanent pressed-flower (PRESS) and fresh-dry-flower (DRY) artworks. The company is headquartered in the historic Wadakuramon district of Tokyo Station — directly adjacent to the Edo-period Wadakura Gate monument — and operates a 150-artisan production team together with more than 100 dedicated designers. In addition to its Tokyo flagship, the company runs two further directly-managed showrooms in Shibuya and Hakata, and works in partnership with more than 1,100 hotels, wedding venues, and guest houses across Japan.
Brand Origins: Founded 1987 and the After Bouquet Heritage
Kannax Inc. was established in Tokyo in 1987 by Ken Kanno, who is widely credited with naming the practice of preserving wedding bouquets as “After Bouquet” (アフターブーケ) and with turning it into a standard part of the Japanese wedding industry. Over nearly four decades of continuous operation, the company has remained focused on a single mission: converting fresh wedding flowers — which would otherwise wilt within days — into permanent artworks. The After Bouquet service is protected by Japanese patent no. 3230404, and “AFTER BOUQUET” / “アフターブーケ” are registered trademarks of Kannax Inc. The brand’s self-described purpose is to treat every bouquet entrusted to its care as “a once-in-a-lifetime treasure” rather than a perishable floral arrangement.
Two Craft Methods: PRESS and Fresh DRY Flower Processing
Clients can choose between two complementary preservation techniques. The PRESS method applies even pressure to the flowers so that moisture evaporates gradually while petal shape and color are retained; a Kannax artisan then composes the dried materials by hand inside a frame, producing a painterly, planar composition that preserves the original scatter of the bouquet, with a typical lead time of 10 to 12 months. The DRY method embeds the flowers in silica-gel desiccant granules and uses a proprietary drying process to preserve both pigment and three-dimensional form, yielding colors noticeably more vivid than ordinary air-dried flowers; the finished piece is mounted three-dimensionally behind a glass or aluminum barrier, with a typical lead time of 6 to 8 months. All products include a free layout request option (scattered bouquet, venue-decoration flat layout, or bride’s bouquet plus groom’s boutonnière combination), and every piece is eligible for complimentary engraving — first line a preset message, custom English message up to 40 characters, or blank; second line a name or blank; third line a date or blank — with engraving executed by carving on the Grand Cubic line, white hot-stamping on the Olga Uluru line, silver hot-stamping on the Matte line, and carving on the Acrylic line.
Showrooms, Order Workflow, and Payment Options
Kannax operates three directly-managed showrooms in the Tokyo Station Wadakuramon district, in Shibuya, and in Hakata; all three are open weekdays from 10:00 to 18:00 and on weekends and Japanese public holidays from 11:00 to 19:00, with on-site concierge staff who can advise on the most suitable craft method and frame for a given bouquet. Online customers are asked to ship their fresh flowers at their own cost (元払い / prepayment) to the company’s dedicated flower-reception desk in Tokyo’s Minato ward, and customers who complete their order more than five business days in advance receive a free dedicated Flower Box (H290 × W615 × D295 mm) to protect the flowers in transit. Payment is accepted by VISA, MasterCard, JCB, and AMEX credit cards as well as by bank transfer; PDF receipts are issued by email, and finished pieces are returned to customers by takuhaibin (home delivery) service with shipping covered by the company. As a fully bespoke product line, After Bouquet orders are subject to a 10% cancellation fee if cancelled before the fresh flowers are received and a 100% fee if cancelled after intake.
Designer Appointments, 150 Artisans, and Sustainability Vision
A team of more than 100 dedicated After Bouquet designers is available for direct appointment, letting clients choose the artistic direction for their piece in the same way one might select a painter’s brushwork; behind them, a 150-strong artisan workforce executes the PRESS and DRY processing and ensures both production capacity and craftsmanship at scale. The brand’s guiding metaphor — that flowers can serve as a bridge between personal memory and broader history — is reflected in the location of the Tokyo flagship, which sits next to the historic Wadakura Gate (built in 1620 during the early Edo period) and is positioned by the company as a place where “the personal histories” of brides and grooms are woven into a longer cultural narrative. On the sustainability side, Kannax frames its core service itself as an environmental act — giving new life to flowers that would otherwise be discarded — and continues to position the company as an eco-friendly business committed to passing on the beauty of nature and floral traditions to future generations.
发表回复